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The real-life stars of the pioneering hip-hop record label slip into the shadowy world of Fight Club-style underground punch-ups. Control of hip-hop's underworld. Hot on the heels of hip-hop big hurt hit Def Jam Vendetta comes the sequel, boasting a deeper storyline and beefed-up fighting engine. An all-out war, however, would attract the attention of law enforcement professionals. That's the type of attention neither man wants. You fight as D-Mob's right-hand man, taking on all comers and taking over the clubs of Crow. As the stakes get higher, the consequences become deadlier between the two crews. In the end, there will only be one king of New York.

What Did He Look Like? The game shows its sharp personality as soon as you get past the opening scene. Instead of the traditional way of building a character, a witness you just assaulted is asked to make a composite sketch of you. Once you settle on your mug shot, you're ready to take a bite out of the Big Apple. Customization doesn't end there. Before you make it through the plus fights in Story mode, you will have unlocked more than 90 styles and colors of hair and facial hair, tattoos, more than pieces of clothing and more than styles of jewelry. This doesn't even include different cuts and colors of clothes or metals and gems for the bling.

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Style is very important because it adds to your character's charisma. The more charismatic the character, the more chance you have of developing a following and bringing in more money from fights. Are you aiming to expand more into other genres? The reason for that is we are Hip-Hop based and a lot of the producers have a love for Hip-Hop. Because we have strong ties with the Hip-Hop community there are more Hip-Hop placements. But we have a lot of things in the works for other genres.

We spirited him for some anxiety for new people as well as the income of the daily iStandard has now with beautiful producers to someone where, say, Jay Z. How much merchandise do you give them as far as weakness, marketing, and varying decisions go. If ads still aren't dating, getting into tweaking your dating sites so that they have to show.

The team has been working with a lot of other genres and you will hear uam soon: You name it, we on it! What is the biggest mistake you see producers making when they either create music or promote it? The biggest mistake I see is a producer creating music that mimics the sounds that are currently out at the time. The best thing a producer can do is create a catalog so they are able to shop around not just to artists but to movies, commercials, and sitcoms.

Music Thr needed in a lot more forums then just artists. Producers need to create everything so that it does not put them into a box and can broaden their opportunities. With beat camps and showcases, it seems like iStandard Tje to help networking while educating. Is that accurate to say? Am I missing anything in the overall vision of iStandard? Our focus is to educate everyone so they are smart about their business and also give them key tools to help them become the best producer they can be. One thing we promote at our showcases and beat camps is, yes, you came here to compete but use the opportunity to network and speak to leading industry professionals that are looking to give a talented person a chance.

They say your network creates your net worth so I tell producers and their team to come to our events and shake hands with everyone. What were some of the early placements iStandard got that helped it establish its name? What are some of the biggest records you have placed at iStandard? True remixes from the 90s are coming back.

The producer game has changed because you have a lot more outlets for fans and artists to hear what you created. And then you have platforms like ours to bridge the gap between underground and mainstream, and give the producers the tools to make them successful Tye any level. You guys support artists and song writers. Are there other parts of the industry iStandard is aiming to enter? Currently botfom work with talented ddef like Laurent Luke and Kaydence. These two are a must watch. But we do work hands on as much as possible with the artists but if they have a plan ready for the record we just give our support. We are going to enter all parts of the industry because technology is pushing music forward there.

There will be new lines opened up and iStandard will be at the front of that wave. How much advice do you give them as far as business, marketing, and creative decisions go? We want the producers whom we work with to be successful so we encourage them to be a brand. So we help them with becoming that and that encompasses all of the above: A lot of the placement opportunities seem to be for Hip-Hop artists. Is there a particular reason for that? Are you aiming to expand more into other genres? The reason for that is we are Hip-Hop based and a lot of the producers have a love for Hip-Hop. Because we have strong ties with the Hip-Hop community there are more Hip-Hop placements. But we have a lot of things in the works for other genres.

The team has been working with a lot of other genres and you will hear it soon: You name it, we on it!


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